Artists Profile 

Current Location :: Windsor, ON, Canada 

Music Genres :: Tech House & Techno

Alias/Collaboration :: Plastikman 

Richard (Richie) Hawtin (born June 4, 1970, Banbury, Oxfordshire, England) is a English-Canadian electronic musician and internationally-touring DJ who was an influential part of Detroit techno's second wave of artists in the early 1990s. Hawtin is best known for his abstract, minimal works under the alias Plastikman, a moniker he continued to use into the mid 2000s.

Hawtin is known for DJing minimal techno sets making use of laptop computers and digital mixing equipment. In May 1990, Hawtin fellow second-waver John Acquaviva founded the Plus 8 record label, which they named after their turntable's pitch adjust function. In 1998, Hawtin launched Minus records, a label he uses primarily as a launch pad for his own projects.

Biography

Hawtin was born in Banbury, Oxfordshire in England, but moved when he was aged 9 to LaSalle, Ontario, a suburb of Windsor, Ontario, and just across the river from Detroit, the birthplace of techno. His father worked as a robotics technician at General Motors, and was a fan of electronic music, introducing his son to Kraftwerk and Tangerine Dream at an early age. He has one brother, Matthew, who is a visual artist and ambient music DJ. Hawtin attended Sandwich Secondary High School in LaSalle. He began to DJ in clubs in Detroit at 17, and his early style was a mix of house music and techno.

In 1990, along with Canadian DJ John Acquaviva, he formed the label Plus-8 in order to release his own tracks under the name FUSE. Hawtin was billed for DJ appearances under the name Richie Rich, a name also used by an American hip hop music DJ who was a member of 3rd Bass, and also a UK house music DJ who was actively producing remixes around the same time.

He spent part of 2002 and 2003 living in New York City, and has since moved to Berlin, Germany. He said, "I’d always wanted to move to Europe. I needed somewhere that was inspiring and where there were like-minded musicians and artists, somewhere you could still experiment with music and with life. Berlin is so liberal in so many different ways; there’s an amazing club scene, there’s a great development software tech scene, there are so many resources here."

Career

Hawtin has recorded music under the aliases Plastikman, F.U.S.E., Concept 1, Circuit Breaker, The Hard Brothers, Hard Trax, Jack Master, and UP!. He also recorded and performed, in combination with other artists, under group names such as 0733, Cybersonik, Final Exposure, Spawn (with Fred Giannelli and Daniel Bell) and States Of Mind. Additionally, Hawtin and Pete Namlook collaborated to produce the From Within series of albums which blend minimal techno and ambient. He has also released an album Sounds of the Third Season with Sven Väth.

In 2006, Hawtin collaborated with choreographer Enzo Cosimi to create a composition called "9.20" for the Winter Olympics opening ceremony. He said, "Enzo and I are very much interested in pushing boundaries, both as artists and for our audiences. Working together for the Opening Ceremonies of the Winter Games delivers the creative endeavor to not only entertain a huge audience, but to also introduce them to sights and sounds that they may have never experienced before."

Slices magazine launched a series of biographies in 2007 called "Pioneers of Electronic Music", with the first issue being a roughly 60 minute biographical documentary on Hawtin. The film follows his career from his early days crossing the border to Detroit to his current life in Berlin, and hold interviews many colleagues and family members.

Hawtin dismisses speculation as to the death of dance music. In an interview he said, "In the last few years, the interest in electronic music has gone back up, the quality of the music has gone back up, there’s a buzz which reminds you of the early days,” he insists. “From where I’m sitting right now, dance music is more vibrant than ever. In some countries you’ll always have the press saying it’s going down and writing it off, but somewhere else the interest level is soaring and people are discovering this music for the first time, like in South America, where it’s completely kicking off – it’s unbelievable down there. There are some great festivals and parties in Europe, and over the last five years I’ve seen Ibiza go from complete cheesy shite music to the resurgence of a number of different types of progressive electronic music